Tag Archives: Ripley Town Hall

Tour of Britain, Continuous Line, new version by Mick Burton. Inspired by Tour de Yorkshire 2019.

Tour of Britain, new continuous line drawing by Mick Burton. Inspired by Tour de Yorkshire 2019.

The Tour de Yorkshire annual cycle race has become a fixture in the Yorkshire calendar, but can be disruptive to other events or day trips we may plan.

Harrogate and Nidderdale Art Club’s exhibition, intended to take place on Early May Bank holiday, was moved this year to Spring Bank Holiday weekend 25-27 May 2019 due to the Tour de Yorkshire coming through Ripley, where we hold the exhibition, on Friday 3 May.

Harrogate and Nidderdale Art Club Spring Art Show and Sale of Work, Ripley Town Hall, 25-27 May 2019.

My Tour of Britain drawing has a continuous line starting and ending in Yorkshire as well, but would take slightly longer than the 4 days of the Tour de Yorkshire and require some trips over water.

The Tour de Yorkshire passed Ripley Town Hall, where the Exhibition will be held this weekend, and the Television coverage did a feature on Ripley including aerial views of Ripley Castle and the family of Sir Thomas Ingilby our art club’s patron.

Ripley Town Hall.   Photo from Harrogate and Nidderdale Art Club website   www.handnart.co.uk

That day’s stage, from Doncaster to Bedale, passed some other places which have a close connection to myself.  As well as passing Scholes Village Hall, near Leeds (where Joan and myself play table tennis on a Sunday morning), Harrogate (where I went to school and served as a Police Cadet) and Ripley (as above), into Ripon passing two road ends where I grew up in the 1950’s and it ended in Bedale where my mother’s family (Mace) were based from the early 1800’s.

Last year’s Tour de Yorkshire went through Bedale and the reception was so impressive that the organisers decided to finish a stage in the town this year.  Here is a photo from the 2018 race where the riders went over the railway level crossing from Bedale into Aiskew and on the left is Park House, the Mace family house from the 1920’s.

Tour de Yorkshire 2018 at level crossing from Bedale into Aiskew passing the Mace family Park House on the left.  Photo Northern Echo 2018.

Joan and myself had intended to visit my Aunty Vi Doyle, 98 years old and who’s first husband was my mother Brenda’s youngest brother Harry Mace, on Friday 3 May.  When I realised that the Tour was finishing in Bedale that day I knew that we would not be able to get any where near her house and so we went a few days earlier.  Vi’s health had been deteriorating for some months and she was distinctly weaker this time and did not eat much of her fish from Fishy Hall’s for the first time ever.

We found out about the exact route of the race which included going past Vi’s bungalow in South End at the start of the finishing straight and we told her she would here the cheering.

Joan and myself watched the end of that stage on the television and after passing Vi’s the riders went up the main street passing the top of Emgate, in sight of the Oddfellows Arms (now The Three Coopers) where my mother was born, and finished next to the house in North End where my parents had their first home.

The cheers of the crowd would be one of the last memories of Aunty Vi who sadly died peacefully this morning in her own home.

 

Hot Cross Bunny and the psychology of colour

IMG_3425 Hot Cross Bunny

“Hot Cross Bunny”, single continuous line drawing painted in psychological colours. Mick Burton, continuous line artist.

In my posts I have said a lot about colour sequence and, along the way, talked about selecting appropriate ranges of colours for my drawings.  Here are some more colour comments, leading to the one about the bunny above.

I might consider that a yellow, red and brown range would be good for my horse. These have a similarity to its actual colours and give a warm and friendly feel which reflect the horse’s nature and temperament.

Fig 1.  Copy of IMG_5869 Horse complete, furst sequ

Colour Sequence on Single Continuous Line Drawing of horse. Mick Burton, Continuous Line Blog.

A strong harsh colour seemed to be best for my roaring lion and simple black and white achieved this.  In the mid 1960’s when I drew the lion, Bridget Riley had been doing many black and white hard edge pictures, and I did several of my animals in this colouring.  I feel that this worked best for the lion amongst my drawings.

016. 1967-9. Lion. Alternate shading, black.

Lion, single continuous line drawing with alternate shading in black and white. Mick Burton, continuous line Artist.

With my “Flame on the Sun” painting, the sort of anti magnetism represented by complementary red and green hopefully reflect the explosive violence required.

Flame on the Sun. Spherical continuous line. Mick Burton, 1972

Flame on the Sun. Spherical single continuous line drawing, with complementary reds and greens expressing explosive violence.  Mick Burton, continuous line artist.

For a more subtle result – my still life of a radish, apple, mushroom and flower heads – I used water colours to help to show the floppy translucent nature of the radish leaves.

IMG_20180510_Raddish

Radish, apple, mushroom and flower heads still life. Water colour used to show floppy, translucent nature of radish leaves. Mick Burton, continuous line artist.

Sometimes I find that I can use almost actual colours.  Here is a commission drawing, with the continuous line running through both robins and the branch.  I  was asked to do only a hint of pink on the Robins’ chests.  This is fine.  However, I had to have a go at a full colour result for myself.  The perky nature of robins is reflected pretty well, I think, by these “near” natural colours.

IMG_3417 (1) Best. Pair of Robins.

Pair of Robins, single continuous line drawing. Full near natural colour. Mick Burton, continuous line artist.

My yellow, green and blue sequence of colours fits well for “Nibbles”, a friendly rabbit who likes nothing more than eating her greens.

IMG_3498 Nibbles

“Nibbles”, single continuous line drawing.  The rabbit has a suitable range of colours to reflect contentment just eating her greens. Mick Burton, continuous line artist.

However, for a rabbit drawn with exactly the same single continuous line as for Nibbles, but who has a completely different temperament  –  RED, BLACK and WHITE fits the bill.

This is, of course, “Hot Cross Bunny” who lurks at the top of this post.  A real, full on, “Psycho”.

The two Rabbit paintings and the Pair of Robins accompanied several other of my pictures at the Harrogate and Nidderdale Art Club exhibition a week ago at Ripley Town Hall.

At the Preview Evening various prizes are awarded.  One was the annual prize presented at the Spring Exhibition by Sir Thomas Ingleby, the club’s patron, for his own personal choice for the best picture on show.  This was won by Julie Buckley for her “Black Labrador”.  

Sir Thomas also mentioned other pictures which caught his eye.  He said that he liked all the paintings by Mick Burton, but never thought that he would ever consider buying one called “Hot Cross Bunny”.

Here is a bit of background to the Rabbit paintings.  Nibbles and Hot Cross Bunny are based upon my daughter Kate’s rabbits, Harriet and Clover.

Harriet was friendly and cuddly and Clover might have been better named “Cleaver”.  We kept them both in the garage – in separate cages.

When we bought Clover, a lop eared rabbit, the breeder was saying how friendly and harmless the baby rabbit was.  I asked if it was related to an adult lop eared which had just tried to bite my finger off and the answer was “Yes, it’s the granny”.  We still bought Clover!

She was alright at first but later became very aggressive.  Every time we opened her cage for any reason, she would bite viciously.  We also realised that some one else would have to take care of the rabbits when we were on holiday.

Strangely, I found that if I put a hand on Clover’s head as soon as I opened the door she would stay still and relaxed as long as I kept the hand there.  With the other hand I could top up food and water or clean out the cage.  This worked for all of us.  Fortunately, our neighbour was delighted to be able to do this too and things were fine when we were away.

After Clover died and I had buried her in the garden, Kate prepared a wooden plaque and nailed it to the fence “Here lies Clover Burton the rabbit”.

An interesting consequence of keeping the rabbits was that straw from the bale became piled on the floor of the garage.  One day the straw was seen to be moving and we feared that we had rats and so I was deputed to check it out.  I found a nest of baby hedgehogs.