Tag Archives: Mick Burton continuous line artist

Updated WordPress Galleries for continuous line artist Mick Burton

071. 1971-10. Iguana. Colour sequence. Blue, green, yellow, red.

Iguana single continuous line drawing with colour sequence. Mick Burton, 1971.

At last I have got round to updating my galleries of both “New Work since 2012” and “Gallery 1965-74”.   Here one of the additions to my older ones – Iguana, which I did show in an early post in July 2014 but did not include in the Gallery.

I now have a fantastic gallery with a tiled format where every picture has been sized to fit and those in short related sequences seem to be logically placed as well.  Exactly what I needed and way beyond what I expected.

Do have a look.  You can click on any picture to see it in detail and then click on arrows to see the whole gallery in turn.

 

Hot Cross Bunny and the psychology of colour

IMG_3425 Hot Cross Bunny

“Hot Cross Bunny”, single continuous line drawing painted in psychological colours. Mick Burton, continuous line artist.

In my posts I have said a lot about colour sequence and, along the way, talked about selecting appropriate ranges of colours for my drawings.  Here are some more colour comments, leading to the one about the bunny above.

I might consider that a yellow, red and brown range would be good for my horse. These have a similarity to its actual colours and give a warm and friendly feel which reflect the horse’s nature and temperament.

Fig 1.  Copy of IMG_5869 Horse complete, furst sequ

Colour Sequence on Single Continuous Line Drawing of horse. Mick Burton, Continuous Line Blog.

A strong harsh colour seemed to be best for my roaring lion and simple black and white achieved this.  In the mid 1960’s when I drew the lion, Bridget Riley had been doing many black and white hard edge pictures, and I did several of my animals in this colouring.  I feel that this worked best for the lion amongst my drawings.

016. 1967-9. Lion. Alternate shading, black.

Lion, single continuous line drawing with alternate shading in black and white. Mick Burton, continuous line Artist.

With my “Flame on the Sun” painting, the sort of anti magnetism represented by complementary red and green hopefully reflect the explosive violence required.

Flame on the Sun. Spherical continuous line. Mick Burton, 1972

Flame on the Sun. Spherical single continuous line drawing, with complementary reds and greens expressing explosive violence.  Mick Burton, continuous line artist.

For a more subtle result – my still life of a radish, apple, mushroom and flower heads – I used water colours to help to show the floppy translucent nature of the radish leaves.

IMG_20180510_Raddish

Radish, apple, mushroom and flower heads still life. Water colour used to show floppy, translucent nature of radish leaves. Mick Burton, continuous line artist.

Sometimes I find that I can use almost actual colours.  Here is a commission drawing, with the continuous line running through both robins and the branch.  I  was asked to do only a hint of pink on the Robins’ chests.  This is fine.  However, I had to have a go at a full colour result for myself.  The perky nature of robins is reflected pretty well, I think, by these “near” natural colours.

IMG_3417 (1) Best. Pair of Robins.

Pair of Robins, single continuous line drawing. Full near natural colour. Mick Burton, continuous line artist.

My yellow, green and blue sequence of colours fits well for “Nibbles”, a friendly rabbit who likes nothing more than eating her greens.

IMG_3498 Nibbles

“Nibbles”, single continuous line drawing.  The rabbit has a suitable range of colours to reflect contentment just eating her greens. Mick Burton, continuous line artist.

However, for a rabbit drawn with exactly the same single continuous line as for Nibbles, but who has a completely different temperament  –  RED, BLACK and WHITE fits the bill.

This is, of course, “Hot Cross Bunny” who lurks at the top of this post.  A real, full on, “Psycho”.

The two Rabbit paintings and the Pair of Robins accompanied several other of my pictures at the Harrogate and Nidderdale Art Club exhibition a week ago at Ripley Town Hall.

At the Preview Evening various prizes are awarded.  One was the annual prize presented at the Spring Exhibition by Sir Thomas Ingleby, the club’s patron, for his own personal choice for the best picture on show.  This was won by Julie Buckley for her “Black Labrador”.  

Sir Thomas also mentioned other pictures which caught his eye.  He said that he liked all the paintings by Mick Burton, but never thought that he would ever consider buying one called “Hot Cross Bunny”.

Here is a bit of background to the Rabbit paintings.  Nibbles and Hot Cross Bunny are based upon my daughter Kate’s rabbits, Harriet and Clover.

Harriet was friendly and cuddly and Clover might have been better named “Cleaver”.  We kept them both in the garage – in separate cages.

When we bought Clover, a lop eared rabbit, the breeder was saying how friendly and harmless the baby rabbit was.  I asked if it was related to an adult lop eared which had just tried to bite my finger off and the answer was “Yes, it’s the granny”.  We still bought Clover!

She was alright at first but later became very aggressive.  Every time we opened her cage for any reason, she would bite viciously.  We also realised that some one else would have to take care of the rabbits when we were on holiday.

Strangely, I found that if I put a hand on Clover’s head as soon as I opened the door she would stay still and relaxed as long as I kept the hand there.  With the other hand I could top up food and water or clean out the cage.  This worked for all of us.  Fortunately, our neighbour was delighted to be able to do this too and things were fine when we were away.

After Clover died and I had buried her in the garden, Kate prepared a wooden plaque and nailed it to the fence “Here lies Clover Burton the rabbit”.

An interesting consequence of keeping the rabbits was that straw from the bale became piled on the floor of the garage.  One day the straw was seen to be moving and we feared that we had rats and so I was deputed to check it out.  I found a nest of baby hedgehogs.

 

 

 

 

 

Mallard steams by towing eight ducklings in a continuous line.

Mallard steams by towing eight ducklings in a continuous line. Photo Mick Burton, 7.8.2016, Well House Drive, Gledhow Valley, Leeds.

Mallard steams by towing eight ducklings in a continuous line. Photo Mick Burton, 7.5.2016, Well House Drive, Gledhow Valley, Leeds.

After a couple of hours digging rocks and roots in the back garden, I emptied the roots into the brown bin and glanced towards the road at the front. There was a gap between the car and the gate post and I glimpsed a line of ducklings going by on the other side of the road.  What were the chances of that happening?

View across the road where a line of ducklings went by. Photo Mick Burton, continuous line artist,7.5.16.

View across the road where a line of ducklings went by. Photo Mick Burton, continuous line artist,7.5.16.

I rushed inside the house for my camera and ran to catch up with the female Mallard mother marching down the road with her brood in tow.  There were some kids in gardens not yet aware and cars going up and down the road.  I took the photo which appears at the top of this post.

But what was this Mallard mother doing coming down our road with her ducklings, when I knew of no streams or ponds in the streets higher up?

Anyway, I knew where she was likely to be going.  If she turned right at the bottom of the road she was on Gledhow Valley Road and the houses along there all had the Gledhow Beck flowing through their gardens.  She started to move out towards the curb to assess when to cross the road.

Mallard mum starting to move out towards the curb. Photo Mick Burton, continuous line artist.

Mallard mum starting to move out towards the curb. Photo Mick Burton, continuous line artist.

I took another closer view of the bird as she headed along parallel to the curb.  There is an eighth duckling just out of shot at the back.

Closer view of female Mallard with seven ducklings in the picture. Photo Mick Burton, continuous line artist, 7.5.16, Gledhow Valley.

Closer view of female Mallard with seven ducklings in the picture. Photo Mick Burton, continuous line artist, 7.5.16, Gledhow Valley.

Looking at these photos reminds me of my  train spotting days as a youth when I saw the  A4 pacific steam engine “Mallard” at speed pulling many carriages.  No wonder they decided to name the fastest ever steam locomotive after such a sleek bird.  Here is a photo I took of the “Mallard” steam engine at the National Railway Museum in York three years ago, along with my son Matthew.

Mallard, the fastest ever steam engine, at York National Railway Museum along with my son Matthew. Photo Mick Burton, continuous line artist.

Mallard, the fastest ever steam engine, at York National Railway Museum along with Matthew Burton.  Photo Mick Burton, continuous line artist.

Now back to the ducks and the dangerous task of crossing the road.  The road seemed clear so Mum decided to cross.  A car was signalling to turn left into our road and I flagged it down just as it was turning, which gave me little time to get a photo of the ducks in the middle of the road.  The result was a bit shaky.

Mallard Mum and eight ducklings crossing the road in front of a waiting car in Gledhow Valley. Photo Mick Burton, continuous line artist.

Mallard Mum and eight ducklings crossing the road in front of a waiting car in Gledhow Valley. Photo Mick Burton, continuous line artist.

When you are a very small duckling it’s not easy to mount a pavement you can’t really see over, and there’s not much sympathy from Mum.

Ducklings struggle to mount a pavement higher than they are. Photo Mick Burton, continuous line artist.

Ducklings struggle to mount a pavement higher than they are. Photo Mick Burton, continuous line artist.

Pause to regroup and a crowd of kids is starting to gather.

Ducklings regroup on the pavement after mounting to kerb. Photo Mick Burton, continuous line artist.

Ducklings regroup on the pavement after mounting to kerb. Photo Mick Burton, continuous line artist.

The worst is over and the female Mallard turns right into Gledhow Valley Road.

Mallard and ducklings turn right into Gledhow Valley. Photo Mick Burton, continuous line artist.

Mallard and ducklings turn right into Gledhow Valley. Photo Mick Burton, continuous line artist.

The Mallard Mum and her train of ducklings can speed up as they enter the home straight.  I am sure now that they will turn right into a drive soon.

The train of Mallard ducklings speed up as they enter the home straight. Photo Mick Burton, continuous line artist.

The train of Mallard ducklings speed up as they enter the home straight. Photo Mick Burton, continuous line artist.

The crowd of kids is becoming a bit intrusive and I ask them to keep their distance, but without much effect.

Kids arriving from all directions are beginning to crowd the ducks. Photo Mick Burton, continuous line artist.

Kids arriving from all directions are beginning to crowd the ducks. Photo Mick Burton, continuous line artist.

The Mallard Mum’s preferred garden is a bit further along I think, but she decides that she will turn into this drive anyway to escape the kids and go down to the stream.

The Mallard and her brood turn down a drive to escape the kids and to head for their stream. Photo Mick Burton, continuous line artist.

The Mallard and her brood turn down a drive to escape the kids and to head for their stream. Photo Mick Burton, continuous line artist.

Just another incident with wildlife in the valley.  Not long ago Joan and I helped a family of swans to cross Gledhow Valley Road, whilst policemen held up traffic from both directions, but that’s a story for another day.