Category Archives: My Styles of Drawing and Colouring

Definitions and descriptions of my style of drawing and colouring.

Tour of Britain, Continuous Line, new version by Mick Burton. Inspired by Tour de Yorkshire 2019.

Tour of Britain, new continuous line drawing by Mick Burton. Inspired by Tour de Yorkshire 2019.

The Tour de Yorkshire annual cycle race has become a fixture in the Yorkshire calendar, but can be disruptive to other events or day trips we may plan.

Harrogate and Nidderdale Art Club’s exhibition, intended to take place on Early May Bank holiday, was moved this year to Spring Bank Holiday weekend 25-27 May 2019 due to the Tour de Yorkshire coming through Ripley, where we hold the exhibition, on Friday 3 May.

Harrogate and Nidderdale Art Club Spring Art Show and Sale of Work, Ripley Town Hall, 25-27 May 2019.

My Tour of Britain drawing has a continuous line starting and ending in Yorkshire as well, but would take slightly longer than the 4 days of the Tour de Yorkshire and require some trips over water.

The Tour de Yorkshire passed Ripley Town Hall, where the Exhibition will be held this weekend, and the Television coverage did a feature on Ripley including aerial views of Ripley Castle and the family of Sir Thomas Ingilby our art club’s patron.

Ripley Town Hall.   Photo from Harrogate and Nidderdale Art Club website   www.handnart.co.uk

That day’s stage, from Doncaster to Bedale, passed some other places which have a close connection to myself.  As well as passing Scholes Village Hall, near Leeds (where Joan and myself play table tennis on a Sunday morning), Harrogate (where I went to school and served as a Police Cadet) and Ripley (as above), into Ripon passing two road ends where I grew up in the 1950’s and it ended in Bedale where my mother’s family (Mace) were based from the early 1800’s.

Last year’s Tour de Yorkshire went through Bedale and the reception was so impressive that the organisers decided to finish a stage in the town this year.  Here is a photo from the 2018 race where the riders went over the railway level crossing from Bedale into Aiskew and on the left is Park House, the Mace family house from the 1920’s.

Tour de Yorkshire 2018 at level crossing from Bedale into Aiskew passing the Mace family Park House on the left.  Photo Northern Echo 2018.

Joan and myself had intended to visit my Aunty Vi Doyle, 98 years old and who’s first husband was my mother Brenda’s youngest brother Harry Mace, on Friday 3 May.  When I realised that the Tour was finishing in Bedale that day I knew that we would not be able to get any where near her house and so we went a few days earlier.  Vi’s health had been deteriorating for some months and she was distinctly weaker this time and did not eat much of her fish from Fishy Hall’s for the first time ever.

We found out about the exact route of the race which included going past Vi’s bungalow in South End at the start of the finishing straight and we told her she would here the cheering.

Joan and myself watched the end of that stage on the television and after passing Vi’s the riders went up the main street passing the top of Emgate, in sight of the Oddfellows Arms (now The Three Coopers) where my mother was born, and finished next to the house in North End where my parents had their first home.

The cheers of the crowd would be one of the last memories of Aunty Vi who sadly died peacefully this morning in her own home.

 

The Sunbathing Foxes are back in Gledhow Valley.

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Two foxes sunbathing in my garden in Gledhow Valley on 15 February 2019.  Photo by Mick Burton, continuous line artist, Leeds, Yorkshire.

This burst of warm spring weather is bringing out the foxes just about every day. These two spent about 30 minutes wandering around, sitting and just relaxing.

Not too different to the painting which I did of a couple doing similar things a couple of years ago.

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My single continuous line painting of two foxes sunbathing a couple of years ago.   Mick Burton, continuous line artist, Leeds, Yorkshire.

The first time I saw foxes in Gledhow Valley was in the late 1970’s, when I lived near the middle of the valley and brought the dog to this end of the woods, above the Well House, and spotted a pair of cubs playing.

To see more animals go to the Friends of Gledhow Valley Woods website    http://www.fgvw.co.uk      .

The Secret Art Project in St Gemma’s 2018 Art Festival

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“Loch Knares Monster” submitted to St Gemma’s 2018 Secret Art Project by Mick Burton, Continuous Line Artist.

As the open session for bidding on e-bay for the A5 size card paintings and drawings submitted to the St Gemma’s Secret Art Project has now closed, I am free to say which two pictures were submitted by me.  Of course, they are not single continuous lines.

The first one, above, is called “Loch Knares Monster”.  I used coloured pencils to produce delicate shades in the water and sky in contrast to the acrylic pen outline on the Serpent.

I have always been interested in the Loch Ness Monster, so what is wrong with turning the famous railway bridge in Knaresborough into a giant serpent.  My first attempt at the monster, years ago, was to add one to a mural of Venice which had been painted all over the bathroom wall of a house I shared with several others in Leeds in the late 1960’s.

Also an artist friend of mine, Bryn Glover, constructed a sculpture of “Nessie” from a motor cycle chain in 1969.  He worked at Leeds General Infirmary and once used a huge pair of forceps in a sculpture of a pelican.

There had to be a train in it, particularly a steam train, but I did not feel that my favourite engine “Mallard” would be appropriate.  See photograph below of Mallard crossing the Knaresborough bridge.

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“Mallard on Knaresborough Viaduct” in 1987. Photograph by Jo Turner (https://www.geograph.org.uk/profile/14389).

One day in the mid 1950’s, when I was on holiday staying with relatives, my cousin John Simmister and myself wandered into the railway sidings in Peterborough.  We saw Mallard, all be itself and so dirty that you could hardly tell that it was green. We climbed into the cab and talked about what it would be like to travel at 126 miles an hour and break the world steam record.

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“Mange 2 – Rail Root North” submitted to St Gemma’s 2018 Secret Art Project by Mick Burton, Continuous Line Artist.

“Mange 2 – Rail Root North” was coloured in acrylic and in a style which I hoped would be very different to my Knaresborough picture.

The HS2 railway project from London to Leeds and Manchester has been dragging on for years and I thought that I would compare that train to a streamlined pea pod.  My wife Joan comes from Wakefield, which is Rhubarb Triangle country, and as she is a vegetarian I thought she may appreciate the “jokes”.

Here is a clipping from this month’s Yorkshire Reporter, showing that HS2 is still big news.

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Yorkshire Reporter, November 2018, showing plans for Leeds Railway Station as part of the HS2 project.

Therasa May is one of the celebrities (including John Bishop and Kaiser Chiefs) who have agreed to submit a picture to the Secret Art Project, but there is probably no danger that people will think that she painted Mange 2.

 

Another Stainbeck Artist, single continuous line drawing.

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Another Stainbeck Artist, single continuous line drawing portrait.  Mick Burton continuous line blog, 2018.

For this latest single continuous line drawing, I have used my gap technique to emphasise the crossovers of the lines and thickened certain key crossovers to try and further increase the three dimensional effect.

You can compare the result with the gaps only technique that I used with my blue horse in 2012.

Horse, in Celtic style.

Horse in Celtic style, single continuous Line drawing. Mick Burton, 2012.

You can also compare the portrait (above), based upon a 10 minute sketch of Zina done at Stainbeck Arts Club in late 2017, with my first single continuous line portrait (below) based upon a sketch of Barrie done at Stainbeck in 2012.

Stainbeck Artist, Continuous  Line Drawing.

Stainbeck Artist, a Single Continuous Line Drawing from a 10 minute sketch. Mick Burton, 2012.

I have also used the combined gapping and selected thicker lines on the single continuous line drawing of the Iguana, originally created in 1971.  The colour sequence version of the Iguana being featured on my previous post in July 2018.

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Iguana, single continuous line drawing. I have used gaps and selected thicker lines to enhance 3D effect. Mick Burton, continuous line blog.

“Another Stainbeck Artist” and “Iguana” continuous line drawings will both be on show, along with several other drawings and paintings of mine, at the Stainbeck Arts Club annual exhibition on Saturday 1 September 2018.  See Pamela Cundall’s poster below.

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Stainbeck Arts Club annual exhibition, 1 September 2018 in Chapel Allerton Methodist Church, Leeds.  Part of the Chapel Allerton Arts Festival 2018.  Pamela Cundall poster.

Once more the club’s exhibition is part of the The Chapel Allerton Arts Festival.   The festival lasts from 27 August to 2 September 2018.

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Chapel Allerton Arts Festival 2018 – BannerGraphic18.  Mick Burton continuous line artist blog.

 

 

Updated WordPress Galleries for continuous line artist Mick Burton

071. 1971-10. Iguana. Colour sequence. Blue, green, yellow, red.

Iguana single continuous line drawing with colour sequence. Mick Burton, Leeds, Yorkshire, 1971.

At last I have got round to updating my galleries of both “New Work since 2012” and “Gallery 1965-74”.   Here one of the additions to my older ones – Iguana, which I did show in an early post in July 2014 but did not include in the Gallery.

I now have a fantastic gallery with a tiled format where every picture has been sized to fit and those in short related sequences seem to be logically placed as well.  Exactly what I needed and way beyond what I expected.

Do have a look.  You can click on any picture to see it in detail and then click on arrows to see the whole gallery in turn.

 

Four Foxes Frolicking in Gledhow Valley Garden.

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Four foxes appear in Gledhow Valley garden on 6 June 2018.   Photo Mick Burton, continuous line artist.

I have mentioned the local Gledhow Valley foxes several times in my posts, but this is the first time that we have seen four at once in the garden, which backs on to the woods. There appear to be two young ones and two adults (or older siblings).

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Four Gledhow Valley foxes, with a lot of licking going on.   Photo Mick Burton, continuous line artist.

In the above photo the foxes are licking themselves and each other and this seemed to go on for ages.

Joan and I have been provided with all sorts of entertainment by the foxes over the last few years.

Our next door neighbour used to put out spare ribs in their back garden.  One time a magpie was enjoying these when a fox came along and picked one up and went away with it.  The fox returned several times for others and the magpie became more agitated each time, finally bouncing around the fox in circles and squawking loudly, as if to say “Those are my spare ribs, get off them, clear off ! “.

Twice when we have had relatives here for Xmas and eating Xmas lunch in the dining room we have seen a rare event.  Looking out of the French windows there would be a fox helping himself to all the bread scraps we had put out on the low bird table, as if taking part in the festivities.

Foxes are territorial of course and I we have seen one on the garage flat roof marking his territory up there.

Of course, they are also hunters and we have seen one trotting up the garden, spotting a squirrel to one side and shooting off sideways to grab it in its mouth and then continuing on its way.

As hunters, our foxes have an annual run in with the swans on the Gledhow Valley Lake.  Several years ago we were walking past the lake at about 7pm in mid May when we saw a fox standing nose to beak with a swan, on its eggs on the nest in a shallow part of the lake.  A photographer, who was watching, said that the fox would not take on a swan on its own, but suggested that when it was dusk, several foxes could work together to try to get the eggs.  The next day there were no eggs.  Something similar may have also happened this year.

Foxes are wary of cats.  Avril, who lives on Gledhow Valley Road was once at the end our garden asking if we had seen her cat, which she said was quite shy and usually stayed in the garden.  It was a large fluffy cat.  The next day I saw a fox at the top of the garden just to the right of the huge oak in the corner.  It then backed to the right and a big fluffy cat came slowly from behind the tree, nose to nose with the fox.  The fox eventually turned slowly away and left.  When I saw Avril again she said she was not surprised as the cat was in charge of all her dogs, including a large Alsatian.

We have also seen the effects of mange on an adult fox, which we saw for some time a few years ago, and it seemed to survive.

The fox below appeared on 4 July 2018, and may be one of the four we saw in early June.

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Healthy fox in Gledhow Valley garden 4th July 2018. Photo Mick Burton, continuous line artist.

This fox was up and down the garden a few times.

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Side view of healthy Gledhow Valley fox. Photo Mick Burton, continuous line artist.

Shortly afterwards, Joan was at the back of the garage with her watering cans and I walked down to the front and between the garage and the house only to come face to face with this fox.  It veered off and went between our garage and next door’s (a gap of about 8″).  I shouted to Joan “Fox coming through”, which of course meant nothing to her until it burst out at the top end of the garage.

And now for a different view of a young fox.

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Young fox in Gledhow Valley appears 5th July 2018.   Photo Mick Burton, continuous line artist.

The next day, a young fox appeared, which I think may be a younger sibling of yesterday’s fox, and headed for the pond, which we have in a half wooden cask, for a drink.  There were also  five magpies going in and out of the bird bath.

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Poor young fox with scanty fur in Gledhow Valley. Photo Mick Burton, continuous line artist.

It was soon obvious that this was not a well fox, certainly compared to the one we saw the previous day.  Lacking in fur and with a red sore patch on its back.

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Unhealthy young fox wants a drink from the bird bath in a Gledhow Valley garden. Photo Mick Burton, continuous line artist.

The fox now wants to have a drink from the bird bath, which the magpies have temporally vacated.

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The magpies have not left much water for Gledhow Valley fox.   Photo Mick Burton, continuous line artist.

The fox can’t quite reach for a drink as the magpies have splashed away most of it.

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Young fox in Gledhow Valley showing all the signs of mange, with open wound made worse by scratching.    Photo Mick Burton, continuous line artist.

This close up of the fox shows all the caking and cracking of the skin and the red open wound which are advanced signs of mange.  Of course it is made worse by constant scratching, and the longest period of hot dry weather since 1976 would have contributed.

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Young fox with mange, really struggling, with attentive magpies (there were five of them altogether).   Photo Mick Burton, continuous line artist.

All five magpies were nearby.  They were quiet, seemingly knowing that one of their rivals was really struggling.  Eventually the fox wandered off up the garden and into the woods.

Sadly, the following morning we found the body of this young fox on the lawn near to the pond.  Possibly the adult foxes would not let it into the den if they thought that it may die and would need to be removed, and so it returned to our garden.

I buried the fox in the garden, near to Tufty my cat.

But what about the other young fox?  

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The other young fox later appeared, also with signs of mange in Gledhow Valley garden. Photo Mick Burton, continuous line artist.

On 15 July 2018 this young fox appeared and it showed similar signs of having mange just like its sibling.  I is seen here eating some scraps of bread left by the magpies.  There was no sign yet of an open wound and so hopefully the mange was not as bad as with the other fox.

We all hope that this one survives.  

Gledhow Foxes Sunbathing, continuous line. Mick Burton

“Gledhow Foxes Sunbathing”. Association of Animal Artists “British Wildlife” exhibition, February & March 2015.   Mick Burton, Continuous line drawing.

I drew this picture over three years ago and I sold it at St Gemmas Leeds Art & Photography Exhibition & Sale last year.  I was also asked to produce a similar one as a commission. 

This year it is the St Gemma’s 40th Anniversary Arts Festival and I am one of the 40 artists invited to take part.  As I have intended to do a colour version of my foxes single continuous line for some time I will now complete one to include in my exhibits.

Hot Cross Bunny and the psychology of colour

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“Hot Cross Bunny”, single continuous line drawing painted in psychological colours. Mick Burton, continuous line artist.

In my posts I have said a lot about colour sequence and, along the way, talked about selecting appropriate ranges of colours for my drawings.  Here are some more colour comments, leading to the one about the bunny above.

I might consider that a yellow, red and brown range would be good for my horse. These have a similarity to its actual colours and give a warm and friendly feel which reflect the horse’s nature and temperament.

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Colour Sequence on Single Continuous Line Drawing of horse. Mick Burton, Continuous Line Blog.

A strong harsh colour seemed to be best for my roaring lion and simple black and white achieved this.  In the mid 1960’s when I drew the lion, Bridget Riley had been doing many black and white hard edge pictures, and I did several of my animals in this colouring.  I feel that this worked best for the lion amongst my drawings.

016. 1967-9. Lion. Alternate shading, black.

Lion, single continuous line drawing with alternate shading in black and white. Mick Burton, continuous line Artist.

With my “Flame on the Sun” painting, the sort of anti magnetism represented by complementary red and green hopefully reflect the explosive violence required.

Flame on the Sun. Spherical continuous line. Mick Burton, 1972

Flame on the Sun. Spherical single continuous line drawing, with complementary reds and greens expressing explosive violence.  Mick Burton, continuous line artist.

For a more subtle result – my still life of a radish, apple, mushroom and flower heads – I used water colours to help to show the floppy translucent nature of the radish leaves.

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Radish, apple, mushroom and flower heads still life. Water colour used to show floppy, translucent nature of radish leaves. Mick Burton, continuous line artist.

Sometimes I find that I can use almost actual colours.  Here is a commission drawing, with the continuous line running through both robins and the branch.  I  was asked to do only a hint of pink on the Robins’ chests.  This is fine.  However, I had to have a go at a full colour result for myself.  The perky nature of robins is reflected pretty well, I think, by these “near” natural colours.

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Pair of Robins, single continuous line drawing. Full near natural colour. Mick Burton, continuous line artist.

My yellow, green and blue sequence of colours fits well for “Nibbles”, a friendly rabbit who likes nothing more than eating her greens.

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“Nibbles”, single continuous line drawing.  The rabbit has a suitable range of colours to reflect contentment just eating her greens. Mick Burton, continuous line artist.

However, for a rabbit drawn with exactly the same single continuous line as for Nibbles, but who has a completely different temperament  –  RED, BLACK and WHITE fits the bill.

This is, of course, “Hot Cross Bunny” who lurks at the top of this post.  A real, full on, “Psycho”.

The two Rabbit paintings and the Pair of Robins accompanied several other of my pictures at the Harrogate and Nidderdale Art Club exhibition a week ago at Ripley Town Hall.

At the Preview Evening various prizes are awarded.  One was the annual prize presented at the Spring Exhibition by Sir Thomas Ingleby, the club’s patron, for his own personal choice for the best picture on show.  This was won by Julie Buckley for her “Black Labrador”.  

Sir Thomas also mentioned other pictures which caught his eye.  He said that he liked all the paintings by Mick Burton, but never thought that he would ever consider buying one called “Hot Cross Bunny”.

Here is a bit of background to the Rabbit paintings.  Nibbles and Hot Cross Bunny are based upon my daughter Kate’s rabbits, Harriet and Clover.

Harriet was friendly and cuddly and Clover might have been better named “Cleaver”.  We kept them both in the garage – in separate cages.

When we bought Clover, a lop eared rabbit, the breeder was saying how friendly and harmless the baby rabbit was.  I asked if it was related to an adult lop eared which had just tried to bite my finger off and the answer was “Yes, it’s the granny”.  We still bought Clover!

She was alright at first but later became very aggressive.  Every time we opened her cage for any reason, she would bite viciously.  We also realised that some one else would have to take care of the rabbits when we were on holiday.

Strangely, I found that if I put a hand on Clover’s head as soon as I opened the door she would stay still and relaxed as long as I kept the hand there.  With the other hand I could top up food and water or clean out the cage.  This worked for all of us.  Fortunately, our neighbour was delighted to be able to do this too and things were fine when we were away.

After Clover died and I had buried her in the garden, Kate prepared a wooden plaque and nailed it to the fence “Here lies Clover Burton the rabbit”.

An interesting consequence of keeping the rabbits was that straw from the bale became piled on the floor of the garage.  One day the straw was seen to be moving and we feared that we had rats and so I was deputed to check it out.  I found a nest of baby hedgehogs.