Category Archives: My Styles of Drawing and Colouring

Definitions and descriptions of my style of drawing and colouring.

Four Foxes Frolicking in Gledhow Valley Garden.

IMG_3711 (2) - Copy

Four foxes appear in Gledhow Valley garden on 6 June 2018.   Photo Mick Burton, continuous line artist.

I have mentioned the local Gledhow Valley foxes several times in my posts, but this is the first time that we have seen four at once in the garden, which backs on to the woods. There appear to be two young ones and two adults (or older siblings).

IMG_3721 - Copy

Four Gledhow Valley foxes, with a lot of licking going on.   Photo Mick Burton, continuous line artist.

In the above photo the foxes are licking themselves and each other and this seemed to go on for ages.

Joan and I have been provided with all sorts of entertainment by the foxes over the last few years.

Our next door neighbour used to put out spare ribs in their back garden.  One time a magpie was enjoying these when a fox came along and picked one up and went away with it.  The fox returned several times for others and the magpie became more agitated each time, finally bouncing around the fox in circles and squawking loudly, as if to say “Those are my spare ribs, get off them, clear off ! “.

Twice when we have had relatives here for Xmas and eating Xmas lunch in the dining room we have seen a rare event.  Looking out of the French windows there would be a fox helping himself to all the bread scraps we had put out on the low bird table, as if taking part in the festivities.

Foxes are territorial of course and I we have seen one on the garage flat roof marking his territory up there.

Of course, they are also hunters and we have seen one trotting up the garden, spotting a squirrel to one side and shooting off sideways to grab it in its mouth and then continuing on its way.

As hunters, our foxes have an annual run in with the swans on the Gledhow Valley Lake.  Several years ago we were walking past the lake at about 7pm in mid May when we saw a fox standing nose to beak with a swan, on its eggs on the nest in a shallow part of the lake.  A photographer, who was watching, said that the fox would not take on a swan on its own, but suggested that when it was dusk, several foxes could work together to try to get the eggs.  The next day there were no eggs.  Something similar may have also happened this year.

Foxes are wary of cats.  Avril, who lives on Gledhow Valley Road was once at the end our garden asking if we had seen her cat, which she said was quite shy and usually stayed in the garden.  It was a large fluffy cat.  The next day I saw a fox at the top of the garden just to the right of the huge oak in the corner.  It then backed to the right and a big fluffy cat came slowly from behind the tree, nose to nose with the fox.  The fox eventually turned slowly away and left.  When I saw Avril again she said she was not surprised as the cat was in charge of all her dogs, including a large Alsatian.

We have also seen the effects of mange on an adult fox, which we saw for some time a few years ago, and it seemed to survive.

The fox below appeared on 4 July 2018, and may be one of the four we saw in early June.

IMG_3966

Healthy fox in Gledhow Valley garden 4th July 2018. Photo Mick Burton, continuous line artist.

This fox was up and down the garden a few times.

IMG_3967

Side view of healthy Gledhow Valley fox. Photo Mick Burton, continuous line artist.

Shortly afterwards, Joan was at the back of the garage with her watering cans and I walked down to the front and between the garage and the house only to come face to face with this fox.  It veered off and went between our garage and next door’s (a gap of about 8″).  I shouted to Joan “Fox coming through”, which of course meant nothing to her until it burst out at the top end of the garage.

And now for a different view of a young fox.

IMG_3894

Young fox in Gledhow Valley appears 5th July 2018.   Photo Mick Burton, continuous line artist.

The next day, a young fox appeared, which I think may be a younger sibling of yesterday’s fox, and headed for the pond, which we have in a half wooden cask, for a drink.  There were also  five magpies going in and out of the bird bath.

IMG_3924

Poor young fox with scanty fur in Gledhow Valley. Photo Mick Burton, continuous line artist.

It was soon obvious that this was not a well fox, certainly compared to the one we saw the previous day.  Lacking in fur and with a red sore patch on its back.

IMG_3923

Unhealthy young fox wants a drink from the bird bath in a Gledhow Valley garden. Photo Mick Burton, continuous line artist.

The fox now wants to have a drink from the bird bath, which the magpies have temporally vacated.

IMG_3929

The magpies have not left much water for Gledhow Valley fox.   Photo Mick Burton, continuous line artist.

The fox can’t quite reach for a drink as the magpies have splashed away most of it.

IMG_3936

Young fox in Gledhow Valley showing all the signs of mange, with open wound made worse by scratching.    Photo Mick Burton, continuous line artist.

This close up of the fox shows all the caking and cracking of the skin and the red open wound which are advanced signs of mange.  Of course it is made worse by constant scratching, and the longest period of hot dry weather since 1976 would have contributed.

IMG_3940

Young fox with mange, really struggling, with attentive magpies (there were five of them altogether).   Photo Mick Burton, continuous line artist.

All five magpies were nearby.  They were quiet, seemingly knowing that one of their rivals was really struggling.  Eventually the fox wandered off up the garden and into the woods.

Sadly, the following morning we found the body of this young fox on the lawn near to the pond.  Possibly the adult foxes would not let it into the den if they thought that it may die and would need to be removed, and so it returned to our garden.

I buried the fox in the garden, near to Tufty my cat.

But what about the other young fox?  

IMG_3990 15.7.18 another young fox with mange

The other young fox later appeared, also with signs of mange in Gledhow Valley garden. Photo Mick Burton, continuous line artist.

On 15 July 2018 this young fox appeared and it showed similar signs of having mange just like its sibling.  I is seen here eating some scraps of bread left by the magpies.  There was no sign yet of an open wound and so hopefully the mange was not as bad as with the other fox.

We all hope that this one survives.  

Gledhow Foxes Sunbathing, continuous line. Mick Burton

“Gledhow Foxes Sunbathing”. Association of Animal Artists “British Wildlife” exhibition, February & March 2015.   Mick Burton, Continuous line drawing.

I drew this picture over three years ago and I sold it at St Gemmas Leeds Art & Photography Exhibition & Sale last year.  I was also asked to produce a similar one as a commission. 

This year it is the St Gemma’s 40th Anniversary Arts Festival and I am one of the 40 artists invited to take part.  As I have intended to do a colour version of my foxes single continuous line for some time I will now complete one to include in my exhibits.

Hot Cross Bunny and the psychology of colour

IMG_3425 Hot Cross Bunny

“Hot Cross Bunny”, single continuous line drawing painted in psychological colours. Mick Burton, continuous line artist.

In my posts I have said a lot about colour sequence and, along the way, talked about selecting appropriate ranges of colours for my drawings.  Here are some more colour comments, leading to the one about the bunny above.

I might consider that a yellow, red and brown range would be good for my horse. These have a similarity to its actual colours and give a warm and friendly feel which reflect the horse’s nature and temperament.

Fig 1.  Copy of IMG_5869 Horse complete, furst sequ

Colour Sequence on Single Continuous Line Drawing of horse. Mick Burton, Continuous Line Blog.

A strong harsh colour seemed to be best for my roaring lion and simple black and white achieved this.  In the mid 1960’s when I drew the lion, Bridget Riley had been doing many black and white hard edge pictures, and I did several of my animals in this colouring.  I feel that this worked best for the lion amongst my drawings.

016. 1967-9. Lion. Alternate shading, black.

Lion, single continuous line drawing with alternate shading in black and white. Mick Burton, continuous line Artist.

With my “Flame on the Sun” painting, the sort of anti magnetism represented by complementary red and green hopefully reflect the explosive violence required.

Flame on the Sun. Spherical continuous line. Mick Burton, 1972

Flame on the Sun. Spherical single continuous line drawing, with complementary reds and greens expressing explosive violence.  Mick Burton, continuous line artist.

For a more subtle result – my still life of a radish, apple, mushroom and flower heads – I used water colours to help to show the floppy translucent nature of the radish leaves.

IMG_20180510_Raddish

Radish, apple, mushroom and flower heads still life. Water colour used to show floppy, translucent nature of radish leaves. Mick Burton, continuous line artist.

Sometimes I find that I can use almost actual colours.  Here is a commission drawing, with the continuous line running through both robins and the branch.  I  was asked to do only a hint of pink on the Robins’ chests.  This is fine.  However, I had to have a go at a full colour result for myself.  The perky nature of robins is reflected pretty well, I think, by these “near” natural colours.

IMG_3417 (1) Best. Pair of Robins.

Pair of Robins, single continuous line drawing. Full near natural colour. Mick Burton, continuous line artist.

My yellow, green and blue sequence of colours fits well for “Nibbles”, a friendly rabbit who likes nothing more than eating her greens.

IMG_3498 Nibbles

“Nibbles”, single continuous line drawing.  The rabbit has a suitable range of colours to reflect contentment just eating her greens. Mick Burton, continuous line artist.

However, for a rabbit drawn with exactly the same single continuous line as for Nibbles, but who has a completely different temperament  –  RED, BLACK and WHITE fits the bill.

This is, of course, “Hot Cross Bunny” who lurks at the top of this post.  A real, full on, “Psycho”.

The two Rabbit paintings and the Pair of Robins accompanied several other of my pictures at the Harrogate and Nidderdale Art Club exhibition a week ago at Ripley Town Hall.

At the Preview Evening various prizes are awarded.  One was the annual prize presented at the Spring Exhibition by Sir Thomas Ingleby, the club’s patron, for his own personal choice for the best picture on show.  This was won by Julie Buckley for her “Black Labrador”.  

Sir Thomas also mentioned other pictures which caught his eye.  He said that he liked all the paintings by Mick Burton, but never thought that he would ever consider buying one called “Hot Cross Bunny”.

Here is a bit of background to the Rabbit paintings.  Nibbles and Hot Cross Bunny are based upon my daughter Kate’s rabbits, Harriet and Clover.

Harriet was friendly and cuddly and Clover might have been better named “Cleaver”.  We kept them both in the garage – in separate cages.

When we bought Clover, a lop eared rabbit, the breeder was saying how friendly and harmless the baby rabbit was.  I asked if it was related to an adult lop eared which had just tried to bite my finger off and the answer was “Yes, it’s the granny”.  We still bought Clover!

She was alright at first but later became very aggressive.  Every time we opened her cage for any reason, she would bite viciously.  We also realised that some one else would have to take care of the rabbits when we were on holiday.

Strangely, I found that if I put a hand on Clover’s head as soon as I opened the door she would stay still and relaxed as long as I kept the hand there.  With the other hand I could top up food and water or clean out the cage.  This worked for all of us.  Fortunately, our neighbour was delighted to be able to do this too and things were fine when we were away.

After Clover died and I had buried her in the garden, Kate prepared a wooden plaque and nailed it to the fence “Here lies Clover Burton the rabbit”.

An interesting consequence of keeping the rabbits was that straw from the bale became piled on the floor of the garage.  One day the straw was seen to be moving and we feared that we had rats and so I was deputed to check it out.  I found a nest of baby hedgehogs.

 

 

 

 

 

Continuous Line Artist view of Haken’s Gordian Knot.

Depth of lines in black and white on Haken Gordian   Knot.  Mick Burton, continuous line.

Depth of lines in black and white, in Haken’s Gordian Knot. Mick Burton, single continuous line drawing 2015.

Here is an update on posts which I did in May and June 2015 regarding the above Knot and the interest these posts have since generated.

As a Continuous Line Artist I have looked at many angles of what my lines may mean and what they can do.  

One such examination was triggered by Haken’s Gordian Knot, a complicated looking knot which is really an unknot in disguise – a simple circle of string (ends glued together) making a closed line, which I saw in a book called “Professor Stewart’s Cabinet of Mathematical Curiosities”.   The drawing above is my version of Ian Agol’s illustration of the Haken Knot (see it in my post of 31 May 2015).  I used dark and light shades to emphasize the Overs and Unders shown for the line. 

The reason that I was so interested was that it reminded me of my “Twisting, Overlapping, Envelope Elephant” (see below).

Twisting, overlapping, envelope elephant. Continuous line.

This single continuous line drawing is coloured to represent a “Twisting, Overlapping, Envelope Elephant”, which is Blue on one side and Red on the other. Mick Burton, 2013.

How this elephant line works is explained in my post of 31 May 2015.  In essence, you need to imagine that the composition is made up of a flexible plastic sheet which is Blue on the front and Red on the back.  Each time there is a twist, on an outer edge in the drawing, you see the other colour.

In the Gordian Knot, I spotted that there is a narrow loop starting on the outside (lower left on first illustration above)  which seemed to lead into the structure, with its two strands twisting as it went, each time in a clockwise direction.  I followed the two twisting lines throughout the drawing until they ended in a final loop on the outside (left higher).  I counted 36 clockwise twists and one anticlockwise.  My thoughts are explained in full in my post of 2 June 2015.

To aid the explanation I completed a painted version, where I used the same Blue and Red colours, as for the above elephant, to emphasize the twists.

Twisting, overlapping colouring of Haken Gordian Knot.  Mick Burton, continuous line.

Twisting, overlapping colouring of Haken’s Gordian Knot. Mick Burton, single continuous line drawing painting 2015.

Note that the colours in the Elephant define two sides of a surface, but in the Unknot the colours are illustrating the twist of two lines travelling together.  The twin lines go through other loops continually so there are no real surfaces.

After completing the above two posts, I decided that I would try and find out more about the Knot and came across a question posed by mathematician Timothy Gowers, in January 2011, on the MathOverflow website.  He had asked for examples of very hard unknots and after many answers he had arrived at Haken’s “Gordian Knot”.  He described the difficulties he was having.  Timothy said that he would love to put a picture of the process on the website and asked for suggestions.

As I had already done two pictures before I read his post I decided to respond.  The work that I did on this is detailed in my post of 5 June 2015 entitled “How do you construct Haken’s Gordian Knot?”.

My response duly appeared on the MathOverflow website in early 2015, but within a day or two it had been taken down and a notice appeared stating that only mathematicians of a certain status should post on the site.

That’s fine as my only maths qualification is General Certificate of Education at school.  At Harrogate Technical College I was thrown out of Shorthand and, with only three months to go to GCE exams they put me in for Maths and Art.  I owe many thanks to the Shorthand teacher, who thought my only skill was picking locks when someone forgot their locker key.  Also I have never had any discussion face to face with a mathematician about my art or my maths.

Following this setback I decided to set it all down in my Blog, in the three posts up to 5 June 2015.

Although I have not actually talked directly to a mathematician, I did correspond with Robin Wilson and Fred Holroyd at the Open University in the mid 1970’s about my ideas on the Four Colour Map Theorem.  I set out my ideas briefly in my post of 18 August 2015 “Four Colour Theorem continuous line overdraw”.

When Fred Holroyd responded to my write up, he used my own expressions and definitions which was very impressive.  He said that I had proved a connected problem, only proved in the world as recently as 16 years previously.   When I asked Robin Wilson about the announcement from a mathematician who said that he had proved the Four Colour Theorem, Robin said not to worry as he thought that this one was unlikely to be validated.  He said that he would prefer that my theory could be proved as it was elegant and also that they could use it.

The theorem was proven in 1976 by Kenneth Appel and Wolfgang Haken, involving running one of the biggest computers for over 1000 hours.  After this I decided to go onto other things, leaving my art and maths behind for almost 40 years.

Yes, its the very same Wolfgang Haken, who devised the Gordian Knot!

Ok, lets move on.  In February 2016 I received an e-mail from Noboru Ito, a mathematician in Japan, saying that he had read my article of 5 June 2015 “How do you construct Haken’s Gordian Knot?” and it was very helpful.  He would like to add it to the reference of his new book “Knot Projections”.

Of course I agreed and he later confirmed that he had referenced my work to the preface of his book.

Here is a picture of my copy of his book which was published in December 2016.

Knot Projections

“Knot Projections” by Noboru Ito, published December 2016 by CRC Press, a Chapman & Hall Book.

 

Additionally, in November 2017 I received an e-mail from Tomasz Mrowka, a mathematician at the Massachusetts Institute of Technology.  He said that he was interested in acquiring a copy of my Twisting, Overlapping colouring of Haken’s unknot.  “It’s really quite striking and I would love to hang it in my office”.

I was delighted to send him a photo which he could enlarge and frame.

 

Kaleidoscopic Wild Horses, continuous line drawing with colour sequence.

Wild Horses, June 2017

Kaleidoscopic Wild Horses. Single Continuous Line Drawing with colour sequence in acrylic on canvas.  I happened to have a canvas 36″ x 10″ previously intended for an upright picture idea.  Mick Burton continuous line artist 2017.

This painting originated from a continuous line drawing which I produced for a demonstration at Stainbeck Arts Club, Chapel Allerton in Leeds in May 2017.  

IMG_0883 -Horses line.

Wild Horses,  single continuous line drawing. Demonstration at Stainbeck Arts Club. Mick Burton, continuous line artist 2017.

When I was thinking about a subject for the demonstration I saw an advert on the TV for the Cheltenham Festival which just showed loads of horses running – why there were no riders or jumps I do not know.  This also reminded me of one of my favourite paintings – “Scotland Forever” by Lady Butler in Leeds Art Gallery, painted in 1881.  A bit like “Charge of the Light Brigade” but straight at you, with the horses wild eyed and seeming to leap out of the painting.

See it at   http://www.leedsartgallery.co.uk/gallery/listings/l0081.php

Lady Butler painted a lot of war scenes and of course she had no military experience.  She was, however, married to a General and she persuaded him to let her watch manoeuvres.  In preparation for this picture she asked that the cavalry ride straight towards her so that she could get the feel for facing a charge.

When I had finished the demonstration, which was a result considerably rougher than the above, the members asked about colours.  I had not intended to talk much about colours, as I thought that my approach to drawing the lines would be enough at this session, but we had a solid half hour talking about my method and ideas about colour.  They said that they looked forward to seeing the image in full colour, so here it is.

My original intention was to do a black and white alternate shading version only, and this is shown below.  The tweaking which I did on the horses heads to achieve a better result in black and white was essential both to improve the continuous line and later to enhance the colouring.

IMG_0888 - Horses black & white

Wild Horses, single continuous line drawing with black and white alternate shading.  Mick Burton, continuous line artist 2017

Initially I did my normal approach to colour sequence, where I devised a 6 colour range (white, lemon, golden yellow, orange, vermilion red and crimson alizarin) to fit my alternate overdraw template for this image.  

This resulted in gold and vermilion appearing on all outer areas and I thought that I needed a darker effect in the lower half of the image.  So I substituted cobalt blue for gold along the bottom legs of the horses and finished up also substituting, on an ad hoc basis, some dark blue, violet and green to try and naturally leach colour balance upwards to meet existing vermilion and gold.

A fellow artist who likes my alternate overdraw and colour sequence method has told me that I should always apply it fully to get the natural result.  Generally I would agree, but thought that I needed to break some rules on this occasion.  I try and mirror nature in my art and of course nature evolves by breaking a few rules. 

Joan and I visited my Aunty Ann a couple of weeks ago.  She is 99 years old and still as bright as a bobbin.  She is a good artist and only gave up painting relatively recently, and always wants to see my latest stuff.  i took the Wild Horses along.  It took up the length of the settee and she was delighted with the colours.  I then realised that the painting’s reflection in the shiny metal fire surround made the composition even more abstract.

Aunty Ann’s shiny metal fire surround reflecting Wild Horses. Mick Burton, continuous line artist, 2017.

Two different Reflections of Wild Horses on metal fireplace surround, detail strips. Mick Burton, continuous line artist.

“Vortex” by David Kilpatrick. Single Continuous Line and Alternate Overdraw colouring.

Vortex, David Kilpatrick. flat,1000x1000,075,f.u1

“Vortex” by David Kilpatrick, artist from Atherton, Australia.   Single Continuous Line using the Alternate Overdraw method to allocate colours.   March 2017.   Mick Burton blog.

I have been exchanging ideas with David Kilpatrick recently and he has agreed to let me put some of his pictures in my blog.  “Vortex” stands out to me, as I have been a fan of Vorticism for many years.  He has used Alternate Overdraw to allocate colours in sequence and it has worked well.

David’s design gives the impression of a sheet of plastic, coloured green on one side and red on the other, and each twist showing the other side.  With overlaps you get darker greens or darker reds.  Four internal areas let the background shine through.  The whole thing is very natural, including David’s own style of patchy colour radiating outwards.

Next is David’s “Knight’s Tour” which he is still working on.

David Kilpatrick knights tour. image011

“Knights Tour” by David Kilpatrick, artist from Atherton, Australia.   Single Continuous Line based upon moves of a knight and using Alternate Overdraw to allocate colour sequence.   April 2017.  Mick Burton blog.

I did a Single Continuous Line “Knight’s Moves on a Chessboard” in 1973 (see Gallery 1965-74) with the intention of colouring it, but never tackled it properly.  One of the problems was the number of fiddly small areas.  It led to my “Knight’s Tour Fragments” instead (see my previous post on 16.2.2017).

But now we have GIMP!  David said that he used this to move the lines about on his “Knight’s Tour”.  I googled GIMP and it means “GNU Image Manipulation Program”.  Some areas are still fairly small but he has produced a vibrant structure.

David says that these are trial colours (I presume from GIMP) and he intends to work out an improved scale of colours in his own style.

However, the colours shown already demonstrate the natural balance inherent in the Alternate Overdraw colour allocation.  The composition suggests to me an island with yellow “beaches” as well as reds within opposite “volcanic” zones.

There is a choice regarding background, which would naturally be the same colour as the light blue internal areas and result in a surrounding “sea”, or it could be left white as shown above.

I look forward to seeing the final version, which I am sure will be another splendid example of Vorticism.

Another picture that caught my eye was his “The Pram” which is based on a magic rectangle.

“The Pram” by artist David Kilpatrick, from Atherton, Australia.   Based on a Magic Rectangle. 2015.    Mick Burton blog.

This pram picture has lots of line ends in it and makes me want to attempt one myself using a Continuous Line animal.  Such a design would make you want to connect up so many loose ends.  My Spherical pictures already do this to an extent, as I take a line out of the picture at one side and bring it back in at the corresponding opposite side.

I think that David chose the positions of the displaced squares in a sort of random way.  Maybe I would want to be confident that I could move them around, in the way you could on the movable squares game of my childhood, and get back to the actual original picture.

You can see much more of the art of David Kilpatrick on

https://www.redbubble.com/people/fnqkid

Nessie the cockapoo visits Gledhow Valley

img_0485

Nessie the cockapoo arrives with a favourite toy. How did she know my favourite colour range. Mick Burton, continuous line artist.

Nessie the cockapoo has come to stay for a week whilst Helen and Janet are in California.  She arrived waving one of her favourite toys, which just happens to have a range of colours similar to those in a recent painting of mine.

img_0224

“Knight’s Tour Fragments”, acrylic on canvas. Exhibited at Harrogate and Nidderdale Art Club Exhibition in November 2016. Mick Burton, continuous line artist.

Nessie is two and a half and lives in a village in Worcestershire in a house almost surrounded by common land.  Strangely, there are no cats in the village and no squirrels (although several years ago one appeared in the garden the day we arrived for a visit, and it was suggested that it had been a stowaway in our car).  Hens roam free in the garden – so where are the foxes?  No greater spotted woodpeckers, they are all green.

Nessie’s favourite spot in our house is by the French Windows at the back.  She watches the birds and squirrels endlessly, and it is good to lie down on the job.

img_0510

Nessie, the cockapoo, watching birds and squirrels. Why not take it easy?   Mick Burton, continuous line artist.

But Nessie is not used to seeing cats, and we have plenty of those.  Suddenly we hear barking and scraping at the window.

img_0519

Nessie spots a cat and all hell breaks loose.  Mick Burton, continuous line artist.

Hopefully one of the foxes will turn up whilst Nessie is here.  We often see one or more during the day, and we even had one on the garage roof marking its territory.  Here is a photo of one in the garden in late January 2017.

img_0334

A Gledhow Valley fox in the garden in January 2017.  Mick Burton, continuous line artist.

Nessie eats sensibly and feels that there my be more nurishment in the cardboard box than in the breakfast cereals themselves.

img_0498

Nessie tucking in to a cardboard box which had contained breakfast cereals.  Mick Burton, continuous line artist.

Of course the highlight of each day for Nessie is the walk through Gledhow Valley Woods to the lake.

img_0551

Nessie, the cockapoo, can’t wait to go to Gledhow Valley Woods, and the lake, with Joan and me.  Mick Burton, continuous line artist.

We are used to seeing the odd rat scamper across the path by the lake, as well as seeing how well they swim.  One rat dashing across suddenly realised that Nessie was passing and took off, missing Nessie’s nose by a whisker.  I am not good at taking photos of flying rats, so here is one nearby wondering what is going on.

img_0389

A rat peeping from behind a tree on the banks of Gledhow Valley Lake.  Mick Burton, continuous line artist.

Twenty ducks who were sitting on the bank and the path fly off when they see Nessie, and Joan has brought some oats to feed to the Swan.  There is only one swan left at the lake just now and it is still in its first year.

img_0536

Young swan, now living alone on Gledhow Valley Lake.  Mick Burton, continuous line artist.

We have been concerned for some months about the swans, particularly since the water level dropped after a digger cleared rubbish from the dam end. Large areas of silt have been on view where the swans nest.  Here are the adults and one youngster in late January 2017.

img_0358

Family of swans on Gledhow Valley Lake. Photo taken in late January 2017 before the adults abandoned the lake.  I hope the swans did not have to pull bread slices from this wrapper themselves.   Mick Burton, continuous line artist.

At the time of this photo, showing the two adults and the above young swan in late January 2017, the second youngster had been ostracized and was sitting in a corner of the lake.  When we were litter picking this Sunday on the monthly action day with Friends of Gledhow Valley Woods, they told us that soon after the photo foxes killed this young bird and then the adults left the lake.  One adult was found wandering in the Harehills area and the RSPCA took it to Roundhay Park lake.  A lady told us that the other adult was walking past her house in Oakwood, presumably heading for Roundhay Park lake too.  So we hope that things work out well for the adults at Roundhay and our young  survivor here in Gledhow.

img_0541

Nessie spots a cat she has not seen before. Henry adopts defensive mode.  Mick Burton, continuous line artist, Leeds.

On the way home from the lake, Nessie confronted a cat.  This is Henry and he stood sideways and seemed to double in size.  Nessie was on her lead, which was probable just as well for Nessie.

img_0543-copy

Henry the marmalade cat from Gledhow Valley.  Dogs beware.   Mick Burton, continuous line artist.

Anna and Emma, the children next door, went to the woods with Nessie today and had been looking forward to it for days.  Nessie gets on well with everyone.

She has enjoyed her holiday in Gledhow Valley and we are taking her back to the land of green woodpeckers.

Leeds Olympic Lion, a new single continuous line painting by Mick Burton.

Leeds Olympic Lion.   Mick Burton

Leeds Olympic Lion, coloured in many shades of red, white and blue to commemorate all the Leeds based athletes and swimmers who brought back medals from the Rio Olympics, 2016.  Mick Burton single continuous line drawing with colour sequence.

I did a demonstration at Farsley Art Group on 12 July 2016 and the continuous line drawing I used as an example was the basis for the above painting. The Group showed a lot of interest and produced many fine attempts at continuous line during my workshop. The club kindly featured me on their website, showing some of my drawings as well as work by members.  I gave them a free hand to put their own stamp on their continuous lines so we had some great variations.

Joan, my partner, watched many swimming and diving events on the TV during the Olympics broadcasts.  She worked at the Leeds International Pool and the new John Charles Centre, in various swimming organising roles, before she retired in 2012 and was delighted with the results of the Leeds members of the Great Britain team and their coaches.

As the athletes all had the red, white and blue lion on their track suits I felt I had to colour my Lion in a range of similar colours and call it the Leeds Olympic Lion.  The painting will be exhibited in the Stainbeck Arts Club Annual Exhibition on Saturday 3 September 2016.  The exhibition is part of the Chapel Allerton Arts Festival taking place in north Leeds this week.Stainbeck Arts Club Poster

Joan’s daughter, Helen Frank, represented Great Britain in the 100 metres breast stroke in the Seoul Olympics in 1988 and was one of five swimmers from Leeds.  Adrian Moorhouse won a swimming gold medal, in the 100 metres breastroke, in 1988.  A gold by a British swimmer was not achieved again by a  British swimmer until 2016.

Leeds Olympic Swimmers at Seoul 1988

Helen brought back a commemorative plate from Seoul, which is part of Joan’s collection of Olympic Plates.

Seoul 1988 Olympics plate