Category Archives: My Styles of Drawing and Colouring

Definitions and descriptions of my style of drawing and colouring.

Change a four sided continuous structure into a single surface Mobius torus, or Mobioid.

Drawing of Doug Eglen continuous metal sculpture with sides in four colours. Mick Burton, continuous line artist.

In my last post, on 3 June 2025, I said that I would like to draw Doug Eglen’s 3/8″ square forged metal sculpture. 

Continuous Lines in forged metal, by Doug Eglen.

Here it is, but I have used separate colours for each of the four sides.  You can only see Red, Green and Blue because the metal remains flat overall and you cannot see the Black I allocated for the underside.

I have tried to reflect the 3D quality of the sculpture, with its Celtic over and under style, highlights and shadow.

When I first saw the structure, I wanted to understand what would happen if I applied twists to the sculpture.  I thought that there should be one or more types of twist which would turn the culture from being four sided with four surfaces into four sided with one surface.  I knew that the Mobius Strip has two sides before the half twist and one continuous surface afterwards and thought that the single surface should also be possible for Doug’s structure.

Another thing that I wanted do was to try and clarify my idea that his structure reflected the shapes of two Boomerangs.  I wondered what twists I would need to do this.

The poker which I made at the age of 12 at school appeared to have a half twist but it is difficult to visualise how this changed the position of the sides.

Brass handle with half twist on my poker, made at school when I was 12. Mick Burton, continuous line artist.

I had to use a pencil to draw along one surface to confirm that it changed the top side into the bottom side.  This meant that I could use two half twists near the centre of a new drawing of the sculpture to produce two boomerangs which had individual colours.

Using two twists to produce Black and Red Boomerangs on drawing of Doug Eglen’s metal sculpture. Mick Burton, continuous line artist.

Black has now appeared at the top for half the time, so we have four colours on view.  Another outcome is that the two sides, which are Green and Blue, swapped from one side to the other at the twists which has resulted in blue almost disappearing.  This is due to the close photographic angle by Doug showing most of the insides of each boomerang shape and I coloured them almost equally Green and Blue in my first drawing.  Green stayed the same within the Red boomerang here and Blue changed to Green in the new Black one.

I have mentioned the Mobius effect.  The Boomerang drawing has not produced a change in the number of surfaces but just altered their positions. Sides still equal surfaces.  This is because I have used two half twists.  If I had only used one half twist then the number of surfaces overall would become two surfaces, one colour for top and bottom and another for both sides.

It seemed to me that employing one quarter twist would produce a Mobius single surface throughout, as each time a surface comes round again it deflects a quarter and on the fourth approach it is back on top. Maybe a three quarter twist would also achieve this, but I found this more difficult to visualise.  First approach deflects to side 4, Second to side 3, Third to side 2 and fourth to side 1 again.

Anyway, I have drawn simply a single quarter twist as an addition to Doug’s sculpture.

Drawing of Doug Eglen continuous metal sculpture, but with added quarter twist. Mick Burton, continuous line artist.

I have started with black and the result is All Black.  This drawing depicts a 4 sided metal continuous sculpture which has only one surface.  It is a complete Mobius result.  Visually, you can see that it is a quarter twist and our knowledge of the general sculpture helps us to realise that there is in fact one surface.

Yes, a Boomerang drawing and an “All Black” drawing suggest that I have Australian and New Zealand interests.  My mother, maiden name Brenda Mace, was born in a pub in Bedale, North Yorkshire.  Nearly 100 years earlier six brothers were born in the same pub and four of them went to gold fields in both Australia and then New Zealand in the early 1860’s.  They were cricketers as well and Christopher Mace played for Victoria against the first team to visit from England and two years later John and Harry joined with him, in Otago New Zealand, against the first English team to play there.

Back to the drawings.  I looked on the Internet for images of general structures which included a quarter twist and failed to find any.  There were examples of the pure circular twist, including 4 sided, but these are difficult to visualise as there is no obvious start point. 

Mobius Strip Structure of Rectangle Geometric Shape. Issuu website.

This pure circular twist is more understandable than most and the Issuu website shows how they built one which you can walk round in.  I am not sure if this includes walking upside down at one stage!

https://issuu.com/vsvu/docs/prof_is_1000/s/16586493

I feel that a twist anchored into an actual general structure, which has some straight and flat sections, is important.  It is easier to identify the type of twist and how the effect of the twist radiates through the whole structure in a more meaningful way.

Some other reference sites mention continuous surfaces, with more than the single edge and surface of a Mobius Strip, as Morbioids.  They compare their structure with the Torus (when it has parallel lines drawn around it which can be regarded as equivalent to edges which can produce the Mobius effect).

There are specific explanations of degree of twist, the number of sides, leading to the number of surfaces.  These confirm my assumptions about a quarter (90 degree) twist, or three quarter (270 degree) twist resulting in a single surface for the square structure.  A half (180 degree) twist has two surfaces.  Others explain 5 or 6 sides and there is a formula for n surfaces according to twist and sides.

A useful link that works is headed “Name for a 3 sided Mobius Strip?”  https://reddit.com/r/topology/comments/1bfdu7m/

SamwiseGanges    said that he was going to call them Mobius prisms.  When he referred to square Mobius prisms, he confirmed my assumptions about the effect of their twists.

AceThe Aro   said that Dr. Cye Waldman called them Mobioid’s in 2017 and you can click onto his moving images.  You can also click on Ace’s own slideshow which runs through all the different twist and number of sides possibilities.

I would like to refer to my drawing of Doug Eglen’s structure, with a quarter twist, as an “Anchored mobius torus”, or “Anchored Mobioid”.

Doug may consider loosening the join on his double boomerang ironwork and resetting it with a quarter (90 degree) twist.  That would produce a real single surface anchored Mobioid.  

 

 

Harrogate and Nidderdale Art Club, Spring Exhibition 2025 at Ripley Town Hall.

Harrogate and Nidderdale Art Club, Spring Exhibition 2025. At Ripley Town Hall.

The Harrogate and Nidderdale Art Club, Spring Exhibition, will be held on 3rd to 5th May 2025 at Ripley Town Hall.  As usual, there will be a wide range of quality paintings, prints and cards by members of the club at this splendid venue.

My pictures will include the completed coloured version of my single continuous line Phormium which I covered in my earlier post of 27 November 2024.  I call it “Phormium in Snow”.  There were also fox tracks passing the phormium, down and back up the garden, which I thought of including.

Phormium in Snow. Mick Burton, continuous line artist.

Another update from that post is that the bees have re-occupied the hole in the lawn. 

There is often a bee arriving and another leaving at the same time.  It is not a quick process!  The one landing may circle around and land a foot away and wander around before working its way through the grass into the hole.  The leaver will crawl out and wander around before flying off at low level.   Of course, when I mow the lawn I have to be careful that they are not coming or going when I go over their area.

And now here is something completely different.

Tsunami Tackles Wildfire. Mick Burton, continuous line artist.

Another new picture is my “Tsunami Tackles Wildfire”.  It combines two Climate Change topics, pitting two extreme situations against each other.        

Spherical Continuous Line Abstract with Colour Sequence.

I started the picture during an Abstract workshop arranged by club Chairman Steve Walmsley.  I told him what the title might be.  I also said that, as President Trump was making all sorts of announcements to change the World, I could call the picture “Trump calls in Tsunami to tackle California Wildfire and if that fails he has Icebergs moored off Greenland he can have towed round.”

Steve Walmsley Surrealist Portrait of Mick Burton, Continuous Line Artist.

Flower Girl With Her Two Small Portraits Of Renowned Yorkshire Artist Mick Burton. By Steve Walmsley, Surrealist Artist.

Steve Walmsley sent me this image, which he created in response to my continuous line Portrait of him which I featured in my Post of December 2023.

My first reaction was that this Lady appears to be looking forward to devouring two pork chops.  Of course I realised that they were really portraits of me.  I think that it is a terrific composition and am pleased to be involved.

As I said in the previous Post, we sketched each other at Harrogate and Nidderdale Art Club and my sketch led of one of my Continuous Line Drawings of him and then a Colour Sequence version.  These are all shown in my previous post.  At that time, I did not include my photograph of Steve’s sketch portrait of me.

Now that he has responded, it is time to produce his sketch of me as a reference.

Portrait sketch of Mick Burton by Steve Walmsley, Surrealist Artist, May 2023.

This sketch does not relate too closely to Steve’s creation, but it does remind me of “front on” sketches done by L.S Lowry.  Here is one that is in the National Portrait Gallery.

Portrait by L. S. Lowry. National Portrait Gallery, NPG 5951.

Steve’s latest Surrealist Art can be seen on his website       

https://steven-walmsley.pixels.com/art/surrealism   . 

Phormium New Zealand Flax continuous line drawing.

Phormium, New Zealand Flax. Mick Burton, continuous line artist.

We have just had snow from Storm Burt and it weighed down some of the sword-like leaves of our sturdy Phormium.  Here is the photo below.

Phormium, after snow weighed down the leaves. Photo Mick Burton, continuous line artist..

I considered that the mixture of curved drooping leaves and straight upright leaves would make a good contrasting straight and curved overlapping continuous line. 

As soon as the snow went, the leaves sprang back upright again.  The leaves are pretty rigid and I prune them with a hack saw.

After the snow melted the sword-like leaves returned to straight up. Photo Mick Burton, continuous line artist.

Captain Cook and Joseph Banks recorded the plant in New Zealand in 1770.  The Museum of New Zealand states that “Russia, the main supplier of sailcloth and rope for the Royal Navy, had restricted sales to England and Cook considered the New Zealand flax as and alternative for making these vital supplies.”

We had good fox tracks in the snow this time.  In one direction it was a single line of spaced prints and in the other it was pairs of prints spaced out.

Before the snow came, I had raked up all the leaves and produced our biggest pile yet, for the first stage of producing soil from leaf mould.  It is far bigger than the pen I built for leaves.  Of course, some are blown in from Gledhow Valley Woods.

Largest leaf pile to date. Photo Mick Burton, continuous line artist.

As the leaf pile has spilled across the slab path up the garden I was interested to see what the Fox did when using the path – would it go round?  Nope, it staggered over the right hand side of the pile.

One strange thing every year is the the Red leaved Acer drops its leaves before all the other trees and the Bronze leaved Acer is usually the last.

Red leaved Acer next to the garage drops leaves long before the bronze leaved one on the left. Photo Mick Burton, continuous line artist.

In the lawn, under the leaves I found that the Bumble Bee hole was still there.  The hole is near the bottom of the photo below.  On the internet it says that the holes are in use for a few months and then not used again, as the queen builds a new one next year.

Bumble Bee hole in the lawn. Photo Mick Burton, continuous line artist.

When I first spotted the hole in the lawn in late May there was a Bee just emerging from it.  The black patch at the very bottom of the photo is the shadow of the bee.

Bumble bee leaving the nest hole in the lawn. Photo Mick Burton, continuous line artist.

I first found out about Bees nesting in the ground when I was digging the tiers in the bank at the top of the garden. I became aware that an increasing number of bees were circling around me.  It was just couple of Bumble Bees at first then all sorts of sizes of bees, some appearing to be similar to hive bees, flying around me.  I realised that I must have disturbed their nest and so I stopped the digging for the day.  The next day I came to look and there was a new hole in the bank and bees coming out, so I just abandoned my digging for the summer.

 

Continuous Line Portrait with Colour Sequence.

Continuous Line Portrait “Colourful Musician” by Mick Burton.

This is the second Colour Sequence portrait that I have completed, the first being of “Barry” 10 years ago which had a shorter range of colours.

As usual, I have worked out the natural range of levels running through the drawing and I can choose which end of the range to allocate Red and then Blue at the other end of this 6 colour sequence.  You may ask why the end of the sequence is in an eye coloured Red in some of my pictures of Animals (eg. Hen and Iguana).  The answer is that when I draw continuous line eyes there is a final loop (or even a loop within a loop), which can extend the range of colours if it is already at the end of the existing range (orange in this case).

Normally, only one eye is visible from a side-on view of most of my animals.  I do not then have the situation where the other eye can be at the other end of the colour range.  In the “Colourful Musician” I have ended up with totally different coloured eyes.  Fortunately, the portrait is of a Surrealist painter who is happy with this outcome.

I do not mind either, because continuous line drawing produces its own three dimensional appearance naturally.  Conventional Artists may regard my drawings as very technical, but I can argue that they use perspective and shadows in their art, which I regard as technical, and I get by without using either.  The head in this painting has a natural rounded appearance and the “Blue” eye side implies shadow.

Sometimes I have had to alter the lines to ensure that both eyes are the same colour, which I did with Nessie the cockapoo painting.

The “Colourful Musician” painting only came about after we had one of those sketch a fellow member sessions at Harrogate and Nidderdale Art Club, this one being run by Chairman Steve Walmsley who also announced that I would sketch him.

Sketch of Steve at Harrogate and Nidderdale Art Club. Mick Burton, continuous line artist.

Someone asked if I would do more work on my sketch and I said that it may turn into a Continuous Line Drawing.  Steve said “If you do, then I want all your colours”.  So I took a photo of him for added reference.

Steve Walmsley, Chairman of Harrogate and Nidderdale Art Club. Mick Burton, continuous line artist.

I produced a Single Continuous Line portrait using Over and Under lines before I went onto the colour version above.

“Surrealist Artist” Continuous Line Drawing by Mick
Burton.

Steve has his own unique approach to colour in his pictures, which are increasingly Digital Art.  You can view his full range of Surrealism, Abstractions, Landscapes, Portraits and Digital Art on his website www.steven-walmsley.pixels.com.

I particularly like the following pictures he has created.  The first one is acrylic and the rest are all digital art.

“Self Portrait with Sax” by Steve Walmsley, Surrealist Artist.

 

“Desert” by Steve Walmsley, Surrealist Artist.

 

“Neanderthal” by Steve Walmsley, Surrealist Artist.

 

“The Cruel Sea” by Steve Walmsley, Surrealist Artist.

 

“Reflections” by Steve Walmsley, Surrealist Artist.

 

“The Waterwheel” by Steve Walmsley, Surrealist Artist.

“That’s our Water on the Gold Coast”.

“That’s our Water on the Goldcoast”. Reaction by Terry when shown “Climate Change Down Under”, a continuous line drawing by Mick Burton.

Our friends Cathy and Terry, who live in Queensland, Australia, were over here recently.  I showed them a photo of my painting “Climate Change Down Under” which I featured in a recent post         Climate Change Hits Australia, continuous line drawing.

I show it again below.  Terry immediately said “That’s our Water!”.

Climate Change hits Australia. Continuous line drawing. Mick Burton.

When I painted it I simply wanted to include a shape depicting Water in blue, in contrast to the Fire in red and the Sunshine in yellow on the land behind.  We knew that Cathy and Terry lived on the Gold Coast and overlooked some moorings, but I did not realise that their waterways were so similar to my painting.

Here is a broader view of their wonderful part of the Gold Coast, which is near Brisbane in Queensland.  Their “water” is at the bottom of the map.

Runaway Bay, on the Gold Coast, showing Cathy and Terry’s “water” at the bottom. Mick Burton, continuous line artist.

When Joan and I visited Cathy and Terry in May 2013, they lived inland as I mentioned in the post of October 2022.  Cathy dropped us off in the Gold Coast for the day and here are a few photos.

Gold Coast, Queensland. May 2013. Mick Burton, continuous line artist.

Pelicans near the beach, Gold Coast, Queensland. May 2013. Mick Burton, continuous line artist.

Sunset on the Gold Coast, Queensland. May 2013 at about 4.30pm. Mick Burton, continuous line artist.

Continuous Line Drawing in Colour by Logan Clarke.

Logan's continuous line hen.

Continuous line Hen by Logan Clarke. Mick Burton post.

Logan contacted me a couple of months ago, saying that he was in Year 7 at a school in Derbyshire and that his Art Teacher had asked his class to complete a homework project based upon my art.

He liked the Rhino that I had featured recently (which was done by a member of Pateley Bridge Art club during a workshop) and my Hen with eggs, which I show below.  He asked for some advice on how I do my continuous line drawings.

Harriet’s Busy day. Single continuous line drawing with colour sequence. Background based on eggs. Mick Burton, 2012.

I sent Logan a short write up on my approach to Continuous Line Drawing and he later sent me his marvellous coloured drawing of his own hen invention, shown at the top of this post.  He has used a range of colours which go well together and the yellows are placed in a very balanced way.  He shows the vibrancy and character of the hen.

Logan’s Dad Paul also had a go at a continuous line Guinea Pig which I show below.

Logan’s Dad Paul Clarke’s continuous line guinea pig. Mick Burton post.

This is an excellent compact drawing with solid balanced colours.  I can imaging this animal bulldozing its way through the straw.

Logan had said that he was due to visit York on holiday and he was looking forward to doing a drawing of York Minster.  I said that I would like to see the result.  Here it is.

York Minster, drawing by Logan Clarke. Mick Burton post.

I mentioned to Logan that I have an ancestor, Thomas Mace a 17th century composer, who said in his book on music that he was at a service in the Minster during the Civil War when York was under siege by Cromwell’s soldiers.  He described how a small missile from a gun smashed through a high window and bounced off several pillars inside before hitting the floor.  Made me think of a pin ball machine.

 

Climate Change Hits Australia, continuous line drawing.

Climate Change hits Australia. Continuous line drawing. Mick Burton.

I have been looking at using the Primary Colours in a way which uses the colour mix when they overlap.  I wanted to produce a result as effective as that achieved in my “Knight’s Tour Fragments” abstract shown below.

“Knight’s Tour Fragments”, acrylic on canvas. Exhibited at Harrogate and Nidderdale Art Club Exhibition in November 2016. Mick Burton, continuous line artist.

Here I produced a similar effect to overlapping pieces of coloured glass.

This time I decided to give each Primary Colour a distinctive shape which seemed to reflect the nature of the colour itself.  Red often represents Fire and so I decided to use straight lines and pointed angles to contain it.  Blue is a quieter colour often representing water and so I decided upon curves and flowing fingers to contain it.  Yellow can represent the sun and I thought of the outline of Australia, which includes the “sunshine state” of Queensland.

Joan and myself visited some friends of hers in Queensland in 2013.  They lived inland from Brisbane in a large wooden house that they built, which had a couple of wallabies resident in the garden.  They moved to live on the Gold Coast a few years ago, but heard from old neighbours in early 2020 that a bush fire had nearly destroyed their old house.  The street had been evacuated and the fire was apparently heading for the house but veered off in another direction just in time.  The increased number of fires are attributed to Global Warming.

Earlier this month we saw on the news that floods in Sydney were amongst the worst since records began in the 1850’s.

With all these things coming together, I decided upon Primary Colours and Australia as part of a Continuous Line workshop I did a couple of weeks ago at Harrogate and Nidderdale Art Club.

For the picture at the top of this post, I superimposed the straight line Red fire line and the curvy Blue water line on top of the sunny Yellow Australia.  This produced semi-primes Orange, Green and Violet areas and where all three Primes overlapped we have a sort of muddy Brown.

I like to think that the outline of a subject can be used to direct continuous lines into the interior which create an image representing the subject.  After completing a single continuous line over a map of Australia I realised that there was something like a kangaroo in there which I have marked in red.  Also, if you push things a little, there may be a Black Swan over Western Australia.

Kangaroo and maybe Black Swan images from single continuous line of Australia. Mick Burton.

The friends we visited have my Wallaby painting in their house on the Gold Coast.

Wallaby, or Kangaroo. Single continuous line drawing and colour sequence. Massive distance background added. Mick Burton, 2013.

Other Primary Colour things we did I will cover in a later post.

 

 

Alien Creatures on Train Tracks Puzzle Continuous Line.

Alien Creature continuous line from Train Tracks Puzzle.    Puzzle Madness, Large, 1.5.2022.  Mick Burton.

This is an update from my post of 24 December 2020 when I explained how I had started Train Tracks Puzzles during Covid lockdowns.    Red Alert, Continuous Line Detected on Train Tracks Puzzle.

When I try to solve a Train Tracks Puzzle, I draw out the grid freehand and copy in the cross references of number of tracks in vertical or horizontal rows as well as the given pieces of track.  A big part of the process is marking the squares, which will not have track pieces, with a circle or cloud shape.  I draw in the track I have decided upon with a line between given pieces of track.

Most people will complete the puzzle on their phone or laptop from start to finish, but I just like drawing things, rather than hitting wrong buttons on keypads most of the time.  Here is my initial drawing.

Initial drawing of Train Tracks Puzzle 1.5.2022. Mick Burton, continuous line artist.

I coloured all “given pieces of track” yellow and the interior of the Alien red in Sharpie pen and did lighter background with coloured pencils, leaving the cloud shapes white.

Here is another Alien from two days later.

Green Alien based upon Train Tracks Puzzle.    Large 3.5.2022 Puzzle Madness.   Mick Burton, continuous line artist.

I mentioned in my post of 24.12.2020 that I was at position 272 out of the 863 people listed.  Also that I had scored 17.925 points compared to the top rated Stirlingkincaid with 2,766,965. This was nearly twice the points of anyone else and I wondered if he ever slept.

I got to about position 130 and for a time just tried to keep treading water at that level.  The number of participants had more than doubled since I started.  Here is the summary a few months ago, at about the time I ceased to do the puzzles.  You can find the Train Tracks puzzles on     https://puzzlemadness.co.uk      .

All time Train Tracks table on Puzzle Madness in June 2022. Top three all over 4 million points and Mick Burton on 240 thousand.

GA had drawn level with Stirlingkincaid on 4,221,000 but both trailed Stevo by 665.  Fourth place Antique was only on 2,708,990.  Do any of them ever sleep?

I have kept quite a lot of my initial drawings and may do some more Aliens.

 

 

Winding Number Man, continuous line drawing.

Winding Number Man. Continuous line drawing with colour sequence. Mick Burton.

In 1972, at the same time as I was experimenting with winding number lines such as in Petrol Polluted Puddle (see my post of 24.11.2014),       Winding Number Theory and Continuous Line Drawing

I drew Winding Number Man, which involved looping around in the same direction from start to finish.

Winding Number Man. Continuous line with alternate overdraw. Mick Burton.

If I had done this in a concentrated area, like the close spiral I used in Petrol Polluted Puddle, I would have had a long single series of overlapping colours.  However, as I progressed around the head, body, legs and arms of the man I avoided too many overlaps.  As I gained new overlaps, previous ones fell away.

The longest sequence of colours is six, whereas with PPP the real sequence is 19.  I could not cope with one sequence of colours that long, with only slight changes between each one, so I used a repeat rainbow sequence which provided the puddle effect I wanted.

The shorter single sequence of colours on the Winding Line Man gives him the form and density I required.

All along I had in mind something similar to the Michelin Man who advertised the tyres.  Here is a recent representation.

Michelin Man logo. Creative Review.

Strangely, I was remined to get on with this blog when watching the new Shetland TV series, where Detective Sergeant  “Tosh” McIntosh was trapped inside a caravan which was about to explode.  I paused the TV in the middle of the explosion and the freeze frame flame looked a bit like the Michelin Man.

Shetland explosion looks like the Michelin Man. End of Episode 3, Series 7.

Watch Episode 4 to see what happened to Tosh.